A.J. Maguire

Tag: A.J. Maguire

  • The End & Thoughts on Serializing Novels

    Well, Persona is finished.

    Or at least a draft of Persona is finished. Here in the next couple of weeks I’ll be searching for an appropriate editor to go through it, and then I’ll edit and edit and … edit some more.

    Until then, I’m in celebratory mode. I’ve got Nantucket Dark Chocolate cookies (from Pepperidge Farm) and I intend to go see Thor 2 at some point over the weekend. I highly encourage everyone to do the same … If not go see the movie, then at least get some cookies.

    It has been quite a journey since June. For those of you who remember or were following along, I started serializing Persona on Wattpad and its own story blog back in June and I posted one chapter per week until … well … until this week.

    So for a little over five months I was committed to drafting a chapter, revising a chapter, and posting a chapter every week. This was, as you can imagine, quite a hectic schedule for someone who already works full time, goes to school full time, and is a single parent.

    Still, it was fun.

    I enjoyed the interaction with readers and I liked the challenge of the schedule (at least at first.) When school starting taking over the bulk of my time I found myself having to be far more lax with the revision portion of the week than I wanted.

    The original plan was to have a blog post once a week with the research information I’d had to look up, but eventually I had to let that go in favor of just getting the next chapter written. I do intend to fix that.

    In fact, after Persona has been properly edited and I can release it as a full book, I thought I’d go ahead and make a “Fact vs. Fiction” edition that will take the chapter by chapter research I’ve done and put it down as a sort of weird appendix thingy.

    So! In reviewing the last five months I can say that I truly enjoyed this process. I’ll probably do it again in the future — after I graduate and preferably with an already completed novel. (Persona was a re-write, and I ended up only using 2 of the original chapters I had written.)

    Also, as a reader myself I can admit that I prefer to have my books all at once. And I know I’m not the only one because there were many people who let me know they wanted to wait until the whole thing was up before they read it. There are even more who want to wait for the physical copy to be available.

    Which, I think, just goes to show you that readers come in all shapes and sizes. Some like the chapter a week approach because it fits into their schedule better. Some like to race through a book over their weekend. Some like to use their Kindles, Nooks, and iPad’s, while others want the feel of paper in their hands.

    I know there are lots of debates about the publishing industry and what books are going to look like in the future, but I think many of these marketers and such are forgetting something very important; there is no one-size-fits-all box for readers to fit in. We are as varied and unique in our reading habits as we are in our personalities.

    For everyone who read Persona on a weekly basis — I uber loves you all! Thank you for sticking with the story for so long!

    For everyone who is now reading it on their digital devices — I uber loves you all! I hope you enjoy Megan’s story and hope to hear from you. (Here is the link, just in case you need it — Persona.)

    For everyone who is waiting for the physical copies — I uber loves you all! I promise I’ll work hard to polish the manuscript and get it to you soon.

    Now, I’m going to run off and keep plugging away at my NaNoWriMo project. With any luck, I’ll actually win this year!

     

  • Happy NaNoWriMo! (And stuff about juggling life)

    I know I’m a day late here but I’ll be honest … I was actually working on my NaNoWriMo project last night so I didn’t get around to the blog. For those who don’t understand a word that I’m saying, NaNoWriMo stands for National Novel Writing Month and it’s where a whole slew of sleep-deprived, crazy authors attempt to write 50,000 words in thirty days.

    Here’s the website because you really ought to check it out : NaNoWriMo.  

    This year is tricky for me because I am not only attempting NaNoWriMo, I am also finishing up Usurper. The rule is that I have to finish a scene in Usurper before I can work on the NaNo project. (Don’t tell my mother, she already thinks I’m too busy.)

    So how does this work exactly? I mean, how can I write on two projects at the same time?

    Well, Usurper is a clear Fantasy written in an established world – Trenna’s world. I’ve already written two books in that setting so I’m pretty grounded on the rules and what happens there. I don’t have to do so much world building and things like that.

    Residual Haunting, which some of you might recognize, has been on the back burner for a long time now. I think I started outlining for that story back in 2009 or something. It may even have been my 2009 attempt at NaNoWriMo, now that I think about it.

    But anyway, Residual Haunting is a near-future science fiction/horror thing. It’s completely different. I’ll admit I wasn’t sure if the stark differences would be a hindrance or a help here. I ended up having to do some housework in order to switch gears before I could sit down and start work on Residual.

    It seems to be working quite well. I had a dismal word count of 1109 words for Day 1, but I got a clearer picture of the technology and a better understanding of the world.

    That said, I have no idea who Cal is and he’s my main character. Hopefully by the end of the day today I’ll have a firmer grasp on him so that I can write more effectively.

    In the spirit of NaNo, I’m going to open a special NaNo snippet page and post my (unedited) bits for each day. I don’t know why, but posting truly awful prose that hasn’t seen the right side of a red pen yet makes NaNo more fun for me. So beware if you click on that section of the site, the grammatical mistakes could be torture.

    Also! Persona’s first draft is officially done. Next week I will post chapter 23 on Tuesday, chapter 24 on Wednesday, and the epilogue on Thursday, thus completing the serialization of the novel. I’m doing this because nobody wants to hit the climax and wait a week to read what’s happening next. (I know I certainly wouldn’t.)

    Friday I’ll have a little party or something to celebrate surviving my first serialized novel experience. You’re all invited. I’ll have virtual cupcakes (chocolate, of course) and talk about editors, editors and more editors. Because editors are awesome and nobody in this business could survive without them.

    Now excuse me … I’ve got a NaNo project I should be writing on.

  • I am Doctor Who

    I’m finally on a bit of a break from school so I had the pleasure of writing a quick short story in the science fiction realm several days ago. Then when I was done with that story I pulled up my document for a Civil War based novel, prepared to delve into all things blue and grey when it hit me …

    I am Doctor Who.

    All of time and space is my playground.

    As an author I’ve already visited Mars (in Deviation) and walked through a medieval world (Sedition/Saboteur/Witch-Born). I visited ancient Greece in The Man Who Loved Medusa and have been dodging bullets in Nazi Germany with Persona. In Tapped — a novel that I will be editing very, very soon — I even got to stand on Pluto.

    I may not have a blue box that’s larger on the inside than it is on the outside, but I’m 5’9″ and trust me … I’m way bigger on the inside.

    Considering how close we are to NaNoWriMo — Nation Novel Writing Month, for those not aware — I felt it was necessary to shout this wonderful fact out to every author getting ready for the 50,000 word sprint.

    You’re all Doctor Who too.

    Embrace your playground — remember, that’s all of time and space. The only limits here are the ones you bring to the table.

    For those of you who don’t know who Doctor Who is … look him up. He’s frigging fantastic. For those of you who know the good Doctor, prepare your own personal T.A.R.D.I.S. (pen, paper, computer, napkins, or whatever else you might write on) and get ready for an adventure.

    You’re all awesome. You win the moment you start the journey.

  • Writing the Unpopular

    Persona is almost finished. In fact, I’ve got approximately two chapters left to write. This is three chapters more than I had outlined, but something happened near the end that surprised me and, now that I look at it, really makes sense for the story. 

    It’s always fun when things work out this way. It means my subconscious brain probably knew this was coming and it took a while for my conscious self to recognize it.

    Anyway, I’ve mentioned before that Autumn tends to spur me into creative-mode. I get new ideas for different stories, or better ideas for current projects, and I start to have a crap-ton of fun. September through December tend to be my happiest months because I am in the middle of this surge of creativity.

    I don’t know why, I don’t know how, I just know it works.

    And this year, having tackled my first historical fiction with Persona (heavy on the emphasis with fiction) I have come up with a new project dealing with the Civil War.

    Well, the Civil War and the frontier. The two tend to go hand in hand since soldiers who fought in the war and survived would head West out of some instinct to get as far away from the battlefield as possible.

    This will be challenging on several fronts. First of all, I really don’t know much about the Civil War. I’ve picked up some documentaries to help remember what I was taught in history class and, funnily enough, have been enjoying them whenever I have a minute between homework and housework and the kiddo.

    Secondly, Dan Wells joked about the fact that nobody reads Westerns anymore. (He’s one of the authors on Writing Excuses, a podcast I sincerely hope every author listens to.) Given that this project would eventually find its way into the West I had to cringe a bit. But, I’d rather write a book that I would love to read than write a book based on trends.

    Even if that trend is several years long.

    No, really. I checked out the Western shelf in Hastings to discover it was drastically smaller than every other section and had all of five prominent authors on it — including Louis L’Amour.

    And I suppose I shouldn’t be surprised by this since I’ve never actually read a Western myself. I watched Lonesome Dove when I was a kid, and High Noon in school, but I can’t say I’ve actually picked up a book that followed gunslingers and the like.

    I did read a truly terrible romance novel based in the Old West. I won’t name the author or anything, but I will say that I scoffed through the first fifty pages and then stopped reading.

    So I am faced with a new challenge here. I love the story concept and the character — I always start with a character and this one is named Alex Huntly — and I’ve wanted to write something that dealt with the West and pioneers since I was in High  School. But the truth is that it probably won’t find a home with a publisher.

    My gut instinct is to write it anyway. I imagine a lot of people would tell me it is a waste of time, but then I have to examine why I write in the first place. And the truth is, I don’t write to please other people. I write the story in front of me because it’s the story that inspires me; be it fantasy, science fiction, historical fiction or, Heaven help me, a Western.

    So! As soon as Persona is done I’ll start the groundwork on this new novel. If only three people in the world read it then that’s fine.

    On a side note, I’ll be using NaNoWriMo to complete the last 15,000 words of Usurper. Trenna fans will be happy to know that this third book in the Sedition series should be out next year, barring any complications with the publisher.

     

  • Endings and Hate Therapy

    Carver Edlund said it best in Supernatural; “Endings are impossible.”

    You have to tie everything up, bring all of the characters into a place of resolution and no matter what you do it will always feel like you missed something. In fact, on the next few edits it’s very likely that you’ll find one or two subplots that never got resolved.

    Don’t panic. It happens. That’s what editing is for, after all.

    My first published book Sedition went through four different endings. Witch-Born had three and Deviation (due to release in 2014) had five. That’s a lot of re-writing and re-plotting. It was frustrating and I went through weeks of what I like to call my “hate therapy.”

    Basically, “hate therapy” is when I become disgusted with everything I’ve written. From what I understand every writer has this problem at some point. We all come to a place where we stare at our work and can find nothing salvageable about it.

    The inner critic comes out in full force, identifying poorly worded sentences, cliché’s we hadn’t noticed before, and weak characters that suddenly remind us of tin soldiers. You know, identical soldiers made of tin with no inner workings, no motivation, and no reason to exist.

    By now you’re wondering why I call this “therapy.” There doesn’t seem to be anything therapeutic about loathing your own work.

    I learned a couple years ago to embrace this natural period of a writer’s life. When I’m in the middle of “hate therapy” I know I am being too hard on myself and, at the same time, am able to identify some very important things.

    Like tin soldiers running rampant on the page.

    But instead of dwelling on how bad it is I embrace it as a challenge to fix those things I’ve done wrong.  That’s when it becomes therapy. When I turn all that angst into a productive outlet I almost always find myself enjoying the work again.

    Persona is coming near to its ending. For those following it online you’re still in chapter fourteen, but I am in the middle of chapter eighteen. (By the way, I dislike chapter fourteen and will be editing it.)

    I’ve always had a particular place in mind for Persona’s ending. In fact, I have stubbornly re-worked and worked again and altered my outline in order to preserve this ending. Timelines are crazy hard to keep in check when writing fiction, especially if you’re dealing with something as well documented as World War II.

    But about a week ago I had a eureka moment and figured out how my characters get from point A to point B (the ending) without screwing anything up. The timeline is mostly preserved. The actions make sense. More importantly, this ending leaves a profound impact on the characters and, hopefully, the reader.

    Persona and Saboteur are the only two books I’ve written where I knew the ending before I got there. To be honest, I don’t know if this is a good or bad thing. Knowing the ending still gives me a struggle because I find myself working harder to make sure the entire book deserves the ending that I’ve planned.

    I still have to go through “hate therapy”, it just happens earlier on in the book. But at least I don’t have to re-write several scenes like I did with Sedition, Witch-Born and Deviation.

    So … Yes. Endings are impossible. They’re heartbreaking, irritating, and hard work but if we do it right then it’s all worth it.

     

     

  • Making Time to Write

    Between work, school and being a single parent I’m told that it is impossible for me to have the time to write as well.  And I suppose for a lot of people that might be true, but the sad fact of the matter is that I just can’t function properly without some story going on inside my head.

    I call it my “back reel” — that weird, unidentifiable space in my brain that is constantly collecting story ideas, running through plot fragments, snagging hold of a stranger’s face for use in a description and … well … pretty much always driving me insane.  The point is, it’s always running and if I don’t get it out on paper I think I could explode or something.

    So how do I write while attending school, working full-time and being a parent?

    Well, the first thing I do is listen to music at work.  Right now I’m rocking the Pacific Rim soundtrack because it totally revs me up for the edit on Tapped I’m going to be doing here in a few weeks.  I haven’t actually started on those edits, but I do keep some paper nearby for any instant inspirations that hit me.

    Now, I’m lucky enough to have a job that allows me to put my headphones in and pretty much ignore everyone else while I get my work done.  This gives my muse plenty of space to run in and by the time I get home and the kiddo in bed I’m ready to start writing.

    Yes, I do the writing thing before I do my homework.  I have to.

    If I didn’t do it this way I’d be distracted from my homework.  Plus, it gives my brain a chance to acclimate from the work scene to the home scene.  So by the time I’m done with my writing hour I’m ready to do my homework.

    After I’ve gotten up and done some dishes, swapped out the laundry and checked on the kiddo, of course.  And at the very end of the night, when the homework is done and the writing is carefully tucked away, I watch something.  That’s what gets my brain to stop thinking so hard so that I can get a good night’s sleep.

    It amuses me when someone says they really want to write but don’t have the time for it.  To be really harsh about it, they’ll never have the time to write if they continue to think like that.  You have to make it a priority.  Once you do that, you’ll find a way.

  • Bad TV

    I can’t literally watch television because I’m in school and all that, but I do have Netflix so I can watch various shows.

    (Alas, no Castle on there at the moment.)  So I decided to watch some Star Trek.  There are lots of choices out there for me, but I picked Star Trek: Enterprise because the concept interested me and I liked Scott Bakula.

    Now, my mother always taught me that if I didn’t have anything nice to say then I shouldn’t say anything at all.  So … while I can’t say that the show was awesome and go wildly fan-spastic about it … I can say that it taught me a lot.  And since anything that teaches me how to be a better writer is awesome in my book, this show falls into a strange category of “So Much Potential, So Little Follow Through.”

    (That’s a new category I just made up for stories that fall short of greatness.)

    So here’s what I learned from Star Trek: Enterprise …

    1) You cannot make a hero look good by making all the supporting characters look bad.  

    Captain Archer was repeatedly put into positions where he had to save his senior staff from certain doom, thus weakening his senior staff until one had to wonder how these people got chosen for the first space exploration mission.

    Point in case, an early episode where his tactical officer – Lieutenant Reed (who really wasn’t given enough screen time, by the way) – gets pinned by a mine on the outside of the hull.  And because it makes TOTAL sense that the Captain would be the right man for the job, Archer goes out to have a heart-to-heart with Reed while he tries to disarm the mine.

    It was a blatant appeal to the audience that Archer was supposed to be “the man” on this trip and the story could have been so much better if Reed had been given the opportunity to show what he was made of.

    And that isn’t even the first time a supporting character had been undercut.  I can’t count how many times poor Commander Tucker was made to look stupid.  I get the “good ol’ boy” thing he had going for him, but “good ol’ boy’s” aren’t necessarily weak.  In fact, I could have loved this show so much more if Tucker had been allowed to really be as brilliant as he could have been.

    By the middle of the first season I actually waited to see which character was going to be sacrificed on the altar of Archer’s Awesomeness in every episode.  And in fact, by season three we still don’t know anything more about Archer as a character than what was revealed in the first four episodes of the show; he has a beagle, he likes water-polo, and his dad built the engine.

    Which brings me to point number two;

    2)  Pets do not a character make.   

    Yes, Porthos is cute.  In fact, my son thought he was the best little puppy in the world.  And yes, you can reveal a lot about a person by putting them in the room with an animal.

    Do they pet the animal?

    Do they talk to the animal?

    Do they show compassion and get gushy?

    Or do they run in fear?

    However likable a pet might make a character, you cannot rely on the audience to make a connection with them based solely on this likability.  A hero needs to have more oomph to them.

    3)  Flaws!  Gimme some flaws, please!

    As much as I love Scott Bakula, Archer needed some flaws.  And I don’t mean his over-fraternization with his senior staff.  That’s not a flaw.  That’s a non-military man in command of something that has distinct military aspects (come on, Navy).

    For as much as I hated the way Tucker was massacred in season one, he’s my favorite character in the show.  Why?  Because for every weak moment he had with the Captain, he had some tremendously wonderful moments on his own.  I loved him because he had flaws that I could relate to, moments of indecision and moments of strength that made him who he was.

    4)  When working in a known and beloved Universe tread carefully. 

    I say this because of the weird way the show dealt with Vulcans.  Any Trekkie worth their salt knows that Vulcans are the most repressed beings in the universe.  Yet this show … I mean … it just …

    Ugh.

    Don’t mess with beloved tropes.  If you use them at all, respect the audience you’re going to be using them on.  You’d better have a very, very good reason for turning a culture on its head in a show like this.  And make sure you make it right again when you’re done.

    Because fans will murder you.

    And that’s it.  That’s what I gleaned from watching Star Trek: Enterprise.  Honestly, I did enjoy Tucker’s character.  I didn’t think I would because his accent drove me nuts the first couple of episodes, but after a while I fell in love with him.  In fact, he and Reed made the show bearable for me.  I wish it could have been Archer, but that just wasn’t in the cards for this one.

  • Round Robin – How I Unwind

    This month we’re talking about what we do to unwind in our Round Robin!  Which is really a fun question to answer because I do all sorts of things to refresh my creative mind.

    At the risk of sounding like a nerd … Well, I am a nerd, so I guess there’s no hiding it … I totally play Star Trek Online.  This game is immensely helpful when I need to get into the science fiction groove without actually writing.  (Though the writer in me has to question some of the things they make us do there.  Such as the control panel for a shield device sitting right next to the shield you want to take down.  I mean … smart money is on putting the control panel on the inside of the shielded area so the enemy can’t get in.)

    I tried playing Star Wars Republic but it just didn’t have the same feel to it, you know?

    When I’m in the middle of a fantasy novel and I need to unwind, I’ll play Dungeon Siege or Arcanum, depending on the level of my frustration.

    Oh!  And I have a ton of Dungeons & Dragon’s manuals that I’ll flip through for ideas.  The pictures alone set my creative mind to buzzing.  (I know, my nerd-factor just rose by about ten notches, didn’t it?)

    I go to the gym every other day — when my car is working — or enjoy time with my son at the park, but I don’t really consider those “unwind” moments.  Jogging is for my health and time with my son is for my soul.

    Still, I have noticed that my writing is clearer and my creative muse more willing to get to business when I’ve kept my exercise schedule and had time with my son.

    And, of course, there is the ever-ready movie to watch or book to read.  But I tend to view movies and books as investments since I’m always learning new and better ways to tell a story through them.

    That’s it!  Those are the things I like to do when I need to step back and relax.  Thank you for joining me and I’d like to encourage you to take a look at what author Ginger Simpson does to unwind as the Round Robin continues.  Here’s her link!  http://mizging.blogspot.com/

  • Writing In A Different Genre

    I am primarily a Fantasy and Science Fiction author.  The three books I have out for sale right now are all fantasy and I do have a science fiction scheduled to be released next year.  So when I started work on my historical fiction novel Persona I felt like a fish out of water.

    Suddenly moving shadows had nothing to do with lurking monsters.  And the idea of genetic enhancements stretching the limitations of the human body wasn’t an option.  Suddenly I had to deal with real people, real problems, and real settings.

    To make matters worse, I chose to limit my point of view character.  Normally I write within two or three characters, but in Persona I limited myself to just one, just Megan.  Because I wanted this to be a “Who am I?” story I wanted the so-called camera lens to be focused entirely on Megan as she struggles through Nazi Germany.

    And these were the best decisions I could ever have made.

    Let me tell you what I’ve learned about the writing craft through this experiment.

    1) My other writings are severely lacking in setting.  Yes, you can see some imagery and I give a sketch of what you’re looking at, but the settings in my other books don’t have the character that it should.

    2) I have learned how to reach deeper into the personality of a character through Megan.  By limiting myself to Megan I can now see how very vague I’ve been with other characters.  (Even my beloved Trenna, though I think she’s purposefully private in many matters.)

    3) The use of a theme-based outline has been supremely enlightening.  Rather than just following the plot to its conclusion, this outline has been able to focus my writing on Megan’s journey to self-discovery.

    I’ll use an example from this weeks posted chapter.  We’re in chapter seven and Megan comes home to find a POW hiding in her bathroom.  That’s all plot and action.  My outline goes further to the main question of the scene; What will Megan do with this man, and what does it say about her when she does it?

    There are more practical issues that I’ve learned during this process as well, most of them having to do with taking ownership of the story and my craft.  But the main thing I want to say is that this decision, to write something outside of my comfort zone, has been incredible.  I highly recommend any author to try it.

    Pick a genre outside of what you normally write and commit yourself to it.  If it’s just a short story then that’s fine, the point is to look at how writing within this new genre is different.

  • Fact vs. Fiction – Chapter Six (Persona)

    All right, here we go again!

    For those unaware, these posts are following my historical fiction novel Persona as I serialize it online for free.  You can find Persona at its story blog or at its Wattpad address.  Because it’s my first historical fiction, I’ve opted to post pieces of the research I’ve had to do for the book …

    Hence, Fact vs. Fiction Chapter Six!

    Fact:  I have a massive orange and white male cat.  He is very vocal and a great deal of fun and I opted to immortalize him in this novel because … well … I’m the author and I can.

    However, his name is not Grendel.  In fact, a friend of a friend had a cat name Grendel once and I just loved the name so much that I opted to use it here.

    Fiction:  You’ll notice I had Megan keep the lights on all night.  Given the war and all the bombings that were going on, that is very unlikely.  It’s a small detail, I know, and I’ll probably change it during the next round of edits.

    Fact:  Cat box vs. litter box.  I researched and found that litter wasn’t exactly a thing back then.  In fact, it wasn’t really invented until 1947 by a guy named Ed Lowe.

    My Americanized view of pets is completely different from what was likely the norm.  While I know pets have been around for quite some time, I’m sure if Grendel were a real cat living in a real country estate like this that he would most likely be comfortable outside.

    In fact, he probably would have been in charge of catching rodents in and around the house.  (My own cat would be in heaven.  He goes nuts when he can take on a spider.)

    But this poses the problem of Gunter, since we learn here in this chapter that he’s been coming out to VanBuren’s place to care for the pet.  I’m sure this is a matter of my American culture and the way I was raised with pets, but I don’t think I’m going to change it.

    Fiction:  Herr Rahn’s reaction to Megan is highly fictional.  In all likelihood, the SS (Schutzstaffel) would have tossed Megan into a camp very quickly, with or without the word of a high-ranking naval officer to aid her.  I’ve implied that VanBuren’s wealth probably had something to do with the way she has been treated, but … yeah … it’s unlikely.

    This is just one of those moments where I’m hanging a large “FICTION” sign on it.  I hope readers can suspend their disbelief long enough for the story to progress.