I know, I know. I probably should have mentioned all the birthday shenanigans over the last week but … Hey, I was busy doing fun things.
Like visiting Craters of the Moon and going to the movies and eating steak and having pie. (I maintain that pie is better than cake.)
But in the middle of all of that, I also have been reminding people about Persona’s May 1st release date.
Persona took me over a decade to write.
That’s right, over a decade. I started writing it when I was 19-20 years old and then life happened and I stopped writing and while this could have been considered a “trunk novel” … I just couldn’t let it go.
If you’re not familiar with the concept of a “trunk novel” I’ll go ahead and explain. You see, there are many professionals out there who say you need to write a couple of novels to get the feel of storytelling and learn the mechanics of the writing craft. These beloved little first creations are known as “trunk novels” because they are supposed to be buried inside a trunk and never see the light of publication.
The general consensus seems to be 5 trunk novels, with the 6th novel you write coming close to publication quality. And once those five are written, you bury them and/or burn said trunk, thereby assuring that your terrible first-tries never tempt you into touching them again.
Persona, whose title underwent many changes over the last decade, would have been my 2nd attempt at novel writing.
Now, I’m not vain enough to say that the early drafts of this book were any good. In fact, they were awful. So very, very awful. And if I were going solely on the plot concept, this book would have been burnt with the other trunk novels.
But … Megan was too compelling a character for me.
She is an independent, strong character without moving into the cliches of the woman-warrior. In fact, she doesn’t fight … not physically, anyway.
Her choices are what make her strong.
So, back in 2013, I decided to pick her up again. While I kept the novel based in WWII, 98% of the plot was altered. I kept only Megan and a handful of characters from the first work, which I imagine means I burnt the trunk novel after all.
I’m not sure what I did here could be considered a “rewrite” given how much of the story changed. Still, her beginnings were in my youth and I remember those first attempts with a great deal of fondness.
Writing Persona taught me quite a lot about being an author. I learned to cut things I held dear and to dig deeper into the minds of my characters – even the ones I never gave a true voice in the work.
I am proud of Persona, both because I love the story and because it is a clear map of my improvement as an author. I hope many other people can be inspired by Megan’s journey to understand herself and the world around her.
—
Nothing is more important than who you choose to be, and for Megan Shepherd that choice has never been more important or more terrifying. In the middle of WWII, her ship is sunk in the Atlantic and all of her hopes and dreams for a new life translating papers for the JTLS in Britain sink with it. When she’s picked up by Germans she discovers that her understanding of the language is the only thing keeping her alive.
While under the scrutiny of the local SS, Megan’s plot to escape the country is derailed when escaped POW Sam Layton lands on her doorstep. As the Allied Advance begins to box in the Third Reich, Megan and Sam make a mad dash for the Swiss border. But the truth never stays buried for long and those Megan has tricked are out for vengeance.
(Pause again because kitten is now attacking my ankle and his little kitten claws hurt. Try to convince him that he should be playing with Pest, my cat, who eyes me with frank disgust but … everyone’s gotta compromise here.)
