Tag: Residual Haunting

  • Handwriting vs. Typing Debate #1

    My first book was written almost completely on 3×5 cards that I stored in my cargo pockets while serving in the Army. I kept them in a Ziploc bag since … you know … Army stuff. Field exercises in Hawaii were murder on paper. If you’ve never been to Hawaii then let me tell you, they have this red dirt that can stain anything.

    I mean it.

    I took the advice of a more experienced soldier and purchased an extra uniform for the sole purpose of rolling around in reddish mud.

    Now then … I don’t recommend using 3×5 cards to write your whole novel on for several reasons.

    #1) Unless you’re in a situation where you absolutely must store your work in your cargo pocket, why would you want to?

    #2) 3×5 cards with numbers on them are still a pain in the batoosh to keep in order. Should you be crazy enough to do this, find an organization style very, very quickly.

    #3) 3×5 cards are easier to lose than full pages of paper. Again … some sort of filing system is absolutely necessary here.

    All that said, I do still use 3×5 cards. I just don’t write the whole stinking novel on them. I write blips, lines, descriptions, plot points, or anything that catches my attention that I think could be useful. The actual writing of the novel normally takes place in a notebook.

    I love the feel of pen on paper. Something about it just calls to me, sets my creative mind to wandering, and helps me focus on the novel at hand. And this was all well and good for my first several novels.

    However … looking at a series like Tapped, which at this juncture is approximately 7 books long with offshoots for novellas and short stories, it has become increasingly apparent that I need to adapt my writing techniques. The problem isn’t so much writing on the notebooks, but the editing process that comes after.

    You see, after I’ve transferred everything onto the computer and done at least 3 passes at the novel, I inevitably print the whole thing out and find myself handwriting EVERYWHERE.

    No, really. Everywhere. Margins, napkins, between lines, no place is safe.296311_500604823329356_837081728_n

    So in essence I’m handwriting the novel twice.

    This takes time.

    Trenna fans will agree with me here in saying it takes too much time. (I’m so very sorry. But I do promise Usurper will be out next year.)

    This is what inspired the Residual Haunting challenge. For those of you just joining us, Residual Haunting is the serialized novel I have been posting up on Wattpad and its own story blog. It has been written completely on the computer, which accounts for a slight lack of description but a very stylized flow to the narrative.

    Since I am over midway through the book now I figured I would do a bit of a Pro vs. Con update on this experiment.

    Pro — Character voices flow better.

    Con — I had to go back in and write descriptions of the characters.

    Pro — Timing for writing the rough draft has been cut in half.

    Con — Character depth is missing. Who are these people and what do they want? (Aside from not being eaten by the monster roaming the museum.)

    Conclusion — The rough draft will be rougher than normal when this is done. I will have to go in and add graphic detail to make the setting come alive. I will have to slow down and use the 1″ picture frame (thank you, Ann Lamont) on each of the characters. We will have to see at the end of the editing process if this actually saves time in the long run.

    Now, these are my experiences. Someone else will likely have different results. But as writers it is our duty to experiment and learn different ways to approach the craft. It’s the only way we’ll grow.

  • Vulgarity

    When friends ask where they can pick up one of my novels I always have to preface the conversation with; “I apologize in advance for the language.”

    This is because most of these friends are asking around the pot-luck table at church or something and I feel a need to cushion them from the reality of what I’ve written. I don’t want to shock them or make them feel uncomfortable, so I figure it’s best they know walking into the book that there will be some rough language.

    So why don’t I exclude vulgar language from my novels?

    Easy … because it’s not realistic.

    Let’s face it, we all know curse words. Some of us even pride ourselves in new and creative ways to utilize expletives. I had a Drill Sergeant in the Army who knew how to insert four letter words inside other four letter words — a feat that requires no small amount of talent, I assure you — and who woke us all in the early morning by flicking on the light switch and shouting; “Get the f**#* out of bed.”

    Charming, I know. But also quite effective.

    Cursing seems to be a staple of adult life. There are very few of us who can say they’ve never, ever used a curse word in their lives so it is unrealistic to exclude such language in fiction. That said, there is a difference between using said words naturally, and using them for shock factor.

    I’m just going to go ahead and admit that if I feel the words on the page are there deliberately to shock me, I’m putting the book down.

    Yes, I’m offended by that, but not because of the words themselves. I’m offended because the author thinks that’s the only way to get my attention.

    Trust me, there are better ways to shock and awe your audience.

    Cover Art by Chris Howard
    Cover Art by Chris Howard

    Residual Haunting (which just posted Chapter 2 this morning) has some swear words in it. Mostly there’s slang (frigging and freaking and all variations thereof) but the vulgar words are in there and I’m sure people will notice.

    Authors have to tread a fine line between keeping true to character voice and trying not to offend their readers. It’s awkward — especially around the pot-luck table — but I’ve noticed that every time I apologize in advance, my friends just chuckle and shrug.

    They get it.

    They live here too.

  • Writing Spooky Stuff

    Residual Haunting may be my first quasi-ghost story/science fiction attempt but it’s not the first time I’ve ever used a ghost. In fact, my first published novel, Sedition, featured a ghost that popped up every now and then. And Witch-Born had that boy, Baldemor Delgora, who haunted the shores of Witch-Eater Lake.

    So I think it’s safe to say that I like using the paranormal in my work. Residual Haunting just ajmaguire-ResidualHaunting-COVERhappens to be the first book that centers on such things.

    I’m not sure why I have this attraction to these spooky, unsettling, and often tragic themes, but I do. In my defense, William Shakespeare loved using them too. Macbeth and Hamlet are just two that I can name without having to do any research.

    Granted, his culture and time period was very superstitious so it’s really no surprise that ghosts were used to help facilitate a story line.

    Still, it’s a grand tradition. Writing creepy things, telling ghost stories or anything that makes the hair on the back of your neck stand on end, is rooted into our culture. I mean, Stephen King is like the poster boy for all things that go bump in the night.

    We all know him regardless of whether or not we’ve read him before. In fact, some people avoid reading any Stephen King precisely because they don’t want to be scared out of their wits.

    I know I did for a while. (Oh, come on. If the clown from It didn’t scare you, you’ve lost your mind.)

    In any case, I believe I am in good company writing spooky stuff. Even if I don’t intend to enter the horror genre itself, there’s still plenty of room for the supernatural to find its way into my work.

  • Residual Haunting is now Live

    Cover Art by Chris Howard
    Cover Art by Chris Howard

    Welcome to October!

    As promised, Residual Haunting — my first ghost/semi-horror/paranormal story — has found its way onto Wattpad and its own Story Blog. (Take a moment to admire Chris Howard’s amazing artwork on the cover! I absolutely love it!)

    Now then …

    Why am I posting a draft of this novel online for free?

    It seems like a silly thing for an author, who wants to make money on telling stories, to post their work before any real editing can come of it (thus subjecting any Readers who dare to take the trip to a rough ride of possible typos and awkward wording) and to do so for free.

    Well, there are a couple of reasons.

    First, Residual Haunting is a grand experiment for me. It’s an exercise in whether or not I can write something completely on the computer (normally I hand write everything first) and I know I’m going to learn quite a bit in the process. (Honestly, I already have but we’ll get to that later.)

    If by some chance my experience with Residual Haunting can somehow aid a fellow writer then I would like to share it. Thus, we find the serialization process begun. I’ll go through a focused dissection of the experience when we’ve reached the end.

    Second, I love the history of serializations in general. I got to play Beth in “Little Women” when I was in high school so the concept of serializing stories gives me fond memories. (If you remember, Jo had her stories serialized in the paper.)

    And Third, it’s fun.

    No, really. It’s fun. I had a blast with Persona last year and promised myself that I would do it again once I found a suitable book (one not on contract and focused on learning something about the craft) and Residual Haunting fits that bill.

    So! If you like the paranormal and are adventurous enough to embark on this journey with me then welcome to the experiment! Follow the links above to find the story in your preferred format (Wattpad or Blog) and let’s get started!

  • Clearing Off the Cork-board

    Early Thursday afternoon — on my lunch break, no less — I was able to type “The End” on Tapped. This was my most extensive round of edits. I solicited an editor to help me develop the story and couldn’t be happier with the results. Gabriel Fitzpatrick helped me see the strengths and the weaknesses in the manuscript and it is now totally awesome. 

    Ahem.

    Well, after a lot of blood, sweat, and tears it’s really quite a lot better than it was.

    In a week I’ll probably hate it, but I’ve come to expect the roller-coaster that is the author’s psyche. One week I love it, the next week it’s dribble not worth looking at.

    Whatever.

    This week it’s awesome and I have happily cleared off my cork-board, making way for the next project. All of the 3×5 cards with plot notes, sketched outlines, and character questions have been tossed into recycling. It is now a blank bit of brown cork with festively colored push-pins just waiting to be used again.

    ajmaguire-ResidualHaunting-COVER
    Cover art done by the amazing Chris Howard!

    And what is that next project?

    Residual Haunting!

    The original plan was to serialize Residual Haunting through the summer because I had so much fun bringing Persona into life that way. (Why yes, Persona has seen an editor and I will begin brushing it up in January. I’ll be completely changing the ending since the editor sorta … uh … hated it. No, I mean it, he HATED it.)

    AJMaguire-PersonaCover-1280h
    Remember Persona? It’s cover art was done by Chris Howard!

    Anyway … Residual Haunting is in a sorry state of incomplete and since it is another one of my experiments in genre/POV/and all things the craft of writing, it meets my arbitrary qualifications for serialization.

    So! Starting October 1st, 2014 I will be posting a chapter a week on Wattpad  — because Wattpad is awesome and I totally love it —  and on a story blog of its own — because I like to accommodate people who either do not use or do not understand how to use the Wattpad site.

    This is FREE! Yes, absolutely free. I will post links to each site (Wattpad and Blog) every time a new chapter goes up. Just like Persona, this is a draft and it is subject to massive amounts of change. Also like Persona, after its completion it will be removed while it undergoes said change.

    What does that mean?

    It means it will only be up for a limited time after the final chapter has been posted. If you follow along week by week you have nothing to worry about. If you wait until it’s all up there, you’ll only have three months to read it before I remove it from the public eye.

    And now I’ll leave you with a blurb telling you what Residual Haunting is all about. 

    Follow Doctors Jared Foster and Cal Murphy as the infamous Residual Haunting Museum is hijacked by ghosts, a witiko, and a girl named Rachel who is trying very hard to retire from all things supernatural.

    As Cal works hard to decipher his newest “Print” — or ghost — things inside the museum start to go haywire; the ghosts inside their exhibits disappear, power fluctuates and threatens to poison them all with the gases used to maintain each exhibit, and Cal finds himself doing the impossible by speaking to a ghost. But there’s far more going on than the mystery of just one ghost and the closer Cal comes to understanding how this woman died, the closer he comes to the real danger hunting them all inside the museum.