Tag: Writing

  • NaNoWriMo 2020

    Here we are, nearing the end of the craziness that is 2020, and I honestly didn’t think I would commit to writing for National Novel Writing Month. For one, I have kid doing remote learning, which is 120% more challenging than I imagined it would be. I cannot count the number of times I have to draw up an assignment and keep the kid on task. Left to his own devices, he would daydream (he’s like his mother that way) or play with the dog.

    For another, the whole year has been a wash, so why not NaNoWriMo too? (Though that might be a semblance of depression talking.)

    But the leaves have changed. There’s that smell in the air again. And I have decided that I’m too stubborn to surrender my favorite event of the year to COVID.

    We’re standing a few days away from November 1st and I am torn between three projects. I don’t think I have the energy this year to start something from scratch, so I’m looking at the works in various stages of incomplete sitting on my desktop.

    So it’s going to be a surprise this year.

    On November 1st, I will make my decision. The only thing I know for certain is that I will be participating. And I encourage any and all writers out there, if not to participate in full, then to take a deep breath, reset their minds on whatever works they have in front of them, and have fun in the month of November.

  • Casting the Book

    Recently I began reading a new book from one of my favorite authors. I had been looking forward to this book because it was revisiting 1800’s London and the author had done a beautiful job describing that time period. I also love the fantastical elements of the world she created. Urban fantasy is fascinating to me and I am attempting to write within that subgenre (unsuccessfully at present) so anything I can learn from novels like this is welcome.

    But…

    I began reading this novel several months ago and have yet to finish. Normally I consume these books in a day or two, so I had to sit back and as myself what was going on.

    After careful inspection, I have to say that the novel is too full.

    Too many personalities on the page.

    Or rather, too may point of view (POV) characters to follow. The original books were full of personalities, but the selection of POV characters was more narrow, and thus less overwhelming. It’s not that I’m lazy as a reader and want the selection smaller because I can’t keep them straight, it’s because I grow frustrated when the POV only skims the surface of a character’s problems and then moves off to the next scene.

    I have seen the question “How many characters is too many” within writer groups a lot, and I have to admit that I never paid it much mind. The world is full of people, after all, and it seems silly to limit the number of personalities in a book. However, I would submit that you should always, always cast your point of view characters with care.

    I think it was Dan Wells of the Writing Excuses podcast (and a brilliant novelist in his own right) who said that you choose your point of view character for any scene as the character who is in the most pain. But there’s a pretext to this – the character has to already be established as a POV within the novel.

    Meaning that if we’ve never been in Susie’s POV before, but suddenly we are because she had her leg broken, then that is generally not acceptable. Instead, you go to the next best POV character who has already been established in the narrative. Example – Susie’s mother was established early on as a POV character, and seeing her daughter in pain would be an acceptable alternative to leaping into a character whose voice hasn’t been heard in the novel before.

    I know that there are novels out there with numerous point of view characters. And without getting into the difference of third person limited versus third person omniscient, I would like to point out that my issue with the current novel I am reading is more geared toward a feeling of being rushed.

    The scenes do not delve deep.

    They do not allow me to settle into the skin of the point of view character long enough to enjoy them.

    And part of me can’t help feeling that the reason behind this shallow characterization is because the author was stretched thin between their cast.

  • Chagrin – Tempering the Writer

    A while back I finished my 3rd and I’d hoped final revision of Song of Bones/Melody of Bones/that dragon story I always wanted to write but kept putting off. My stubborn brain insisted it was complete, that I had told the story the best way I knew how, and that it was time to set it free. Since I’d written the synopsis in the middle of the process, I waited a scant two weeks before I started submitting to agents and editors.

    Without, you know, re-reading more than the first pages required for the submission process.

    I can hear the rest of you writers out there cringing.

    And you’re right.

    After thirteen unsuccessful submissions I fell into that funk we all get at rejection. Because, you know, rejection is painful. I know editors and agents hate to do it, too. I think most of what makes the whole process bearable is knowing that they are in that socially awkward position where they must say; “No, thank you.”

    Unless, you know, you get that editor/agent who enjoys tossing rejections like snarky confetti, but those are few and far between.

    Mercifully, I stopped submitting after thirteen. And I know some of you are going to point to James Patterson’s 42 rejections before he sold that first novel, but I promise you this was the right move. Because six months after I sent that first submission I opened up the manuscript again and realized how much I’d gotten wrong.

    My dragon culture was not fully fleshed out. The first chapter was trying to cram too much information without enough characterization. And I was struck with the fact that I needed to keep the novel centralized in one setting rather than trying to fly between continents.

    My Muse seemed to be snickering at me from the corners of my writing space.

    I had broken that cardinal rule of writing – Thou shalt wait at least three months before picking up the work in progress.

    If I’d given myself the time and space, I could have saved myself and the agents/editors who I submitted to a lot of awkwardness. I could have saved myself from a little of that funk of rejection.

    I say a little because I know in its completed form that Melody of Bones/Song of Bones will still be rejected by those agents/editors who do not feel it is a good fit for them.

    I am so grateful that I gave myself the time I needed with Enemy Souls. (That novel hit shelves on September 8th and is doing quite well! I am supremely pleased by the reception it has had and should be working on the third installment of the Tapped series during National Novel Writing Month this year.)

    Dear writers, learn from my mistake. Put that manuscript away. Give it fermentation time. And, of course, read the thing before you start submitting it.

    Trust me, you’ll thank yourself later.

  • Embracing the Super-Soldier Cliche

    From Achilles to Captain America, Perseus to Luke Skywalker, our stories have been saturated with soldier heroes. We play them in our video games, we read them in science fiction; super soldiers who have the strength to fight when others fall behind.

    AVAILABLE September 8, 2020

    We love them because they fill us with hope.

    And because they can do really cool things on the screen or on the page.

    When I set out to write the Tapped universe, I was researching pressure points and Chinese legends about chi. For those unfamiliar with the term, chi is defined by the Merriam-Webster Dictionary as:  vital energy that is held to animate the body internally and is of central importance in some Eastern systems of medical treatment (such as acupuncture) and of exercise or self-defense (such as tai chi).

    But that dictionary doesn’t bring out the cool stuff.

    The cool stuff, are legends of people having such mastery over their chi that they could perform kata’s (martial movements meant to practice control of the body) while balancing on top of, and not breaking, delicate teacups.

    Think Crouching Tiger Hidden Dragon.

    Now we hit the pressure points – these are specific spots on the body that, when manipulated in a specific manner, can bring about significant pain or other effects. Like the Vulcan neck pinch, only with practical applications like acupuncture.

    Enter Fiction Author Brain, which asks; “Hey, what would happen if we developed that more? What would happen if we decided to try shoving those acupuncture needles in specific pressure points on a permanent basis? Would we be able to permanently access our chi?”

    Thus was born the Tapped soldier, whose surgery to unlock their chi managed to unlock an entire universe of energy.

    As an author, I knew I couldn’t go giving that power out willy-nilly. I also couldn’t have them invincible. That’s just boring. So, while my Tapped soldiers can access the energy around them, they can only do so within the limitations of their own bodies.

    I know, I know.

    We have a lot of super heroes.

    As a fan girl who squeals with delight any time a new Star Wars anything comes out, I know that we have sooooo many super soldiers out there for entertainment purposes that it can be overwhelming.

    We’ve even started debates meshing worlds together to see who can beat who. Hulk vs. Superman, that sort of thing.

    So why write a story about super soldiers when we already have too many to choose from?

    Long answer?

    Because the compelling parts of a super soldier’s story are never the feats they perform. Sure, it’s cool to see Captain America race through a battlefield and take out a dozen enemy combatants, but it isn’t what keeps us watching him.

    It’s the choices he makes with those powers that keep us watching. We want to see why he fights, not just how he does it.

    Short answer?

    Because I wanted to.

    So here’s me, embracing the cliche, and I welcome you to join me! Maybe we can all learn a little something about the power of human choice in the middle of it.

  • Researching the Galaxy

    https://www.iau.org/public/themes/pluto/

    When I first started the Tapped series, I made the conscious decision that I didn’t want to set my science fiction in “a galaxy far, far away” with planets we only just now are discovering. While doing that may have afforded me a little more freedom in writing those planets, imagining what they might be like and what challenges we might face trying to reach them, I wanted to concentrate on what is already right next door to us.

    Because what we already know about our neighboring planets is fascinating and if we are serious about space travel, then Mars and Jupiter and the planets orbiting our sun with us must necessarily be stepping stones.

    That’s why Devon and Seach go spelunking on Pluto in the early chapters of Tapped.

    Well, that and I was trying to put myself in the mindset of a teenage boy constantly confined to a space ship. I imagined it would be natural for him to want to get out and stretch his legs, as it were.

    The research that went into this sequence was extensive, which I neither regret nor bemoan. I enjoyed learning about Pluto and trying to imagine ways around the obstacles we would naturally face trying to live there.

    For those who might not know about it, NASA has a website. You should really check it out, if you haven’t already. It’s like a space museum you can visit on your computer.

    Well, not really, but with COVID and all, I think we’ve all learned to try and escape quarantine via internet.

    Anyway, the link you’ll find up there will take you to Pluto In Depth! Which is where I got a lot of my information, like the strange orbit it takes around our sun (about 248 of our earth years for one loop) and the craters littering its surface. I really hooked into the idea that there might be an underground ocean.

    As an author, I could only use so much of this information without bogging down the narrative. So I tried to stick with only what directly affected the characters on the page, that way I didn’t digress into; “Look at this cool thing about Pluto!” too much.

    I mean, I wanted to, but that would have derailed the whole novel.

    For Enemy Souls, the sequel to Tapped that is due for release September 9th, the novel takes us to Saturn. Or, well, to Daphnis, really.

    Daphnis is the “wave maker” moon located in the Keeler Gap of Saturn’s rings, but I’ll touch more on why I picked her and what I did with her next week. Right now, I’m just excited to announce that Enemy Souls will be available for purchase September 9th!

  • Humor

    Life is funny. It’s even ridiculous from time to time, and I take particular joy in placing such moments in my fiction. From Megan waking up to an unknown cat nestled against her, to Trenna obstinately reassuring her daughter that domesticity was never her strong suit, to my newest WIP where a stubborn dog gets bested by a squirrel, these little moments lighten the greater work for me.

    And, I imagine, in real life it is the small, funny moments that make the greater journey something to smile at. As a reader, I appreciate when an author manages to let their fiction reflect these small, funny moments. I will put a book down if there’s no emotional release from grief or horror or even adventure. I simply cannot handle being in a little ball of angst for too long.

    Because I know that I’ll set down a book if I haven’t been given a moment to breathe and laugh, then I find it doubly important to make certain I create those moments in my own work. I’ve never found it particularly difficult, people are inherently funny.

    Most of them anyway.

    Their quips and knee-jerk reactions can at the very least bring a smile, and it should be no different for the characters on the page.

    Have I ever taken from real life and placed funny moments on the page?

    Oh, yes. Absolutely.

    Like when my 5-year-old managed to cut his finger and swooned at the sight of his own blood, exclaiming; “I’m dying!” Wasn’t funny to him at the time and he hates hearing me repeat it, but he legitimately swooned and I realized in that moment that he would never be a doctor.

    Or when someone I know very well sat in pee (in white pants, no less) on an airplane and was too grossed out and humiliated to tell the stewardess? She tied her sweater around her waist and ran gagging off the plane.

    I have a billion little stories stored on 3×5 cards everywhere so I can remember them for later. The ones that fit whichever story I’m on, generally get fit in there. It does have to be seamless, and the funny moment is often expanded because the character on the page would react differently to what they’re seeing, but it goes in.

    I suppose that’s fair warning to the people who meet me. If you do something funny, I’m likely to use it.

    POST SCRIPT – I do apologize to my fellow Round Robin authors. I seem to have scheduled this post for the wrong week. For those of you just joining me, please take a look at what my fellow authors have to say about writing humor in their books.

    Skye Taylor http://www.skye-writer.com/blogging_by_the_sea
    Diane Bator http://dbator.blogspot.ca/
    Beverley Bateman http://beverleybateman.blogspot.ca/
    Dr. Bob Rich https://wp.me/p3Xihq-1Tb
    Connie Vines http://mizging.blogspot.com/
    Anne Stenhouse  http://annestenhousenovelist.wordpress.com/
    Margaret Fieland http://margaretfieland.wordpress.com
    A.J. Maguire  https://ajmaguire.wordpress.com/
    Victoria Chatham http://www.victoriachatham.com
    Judith Copek http://lynx-sis.blogspot.com/
    Rhobin L Courtright http://www.rhobincourtright.com/

  • Snippets and Things – December 2019 Round Robin

    This month, we have been invited to post a snippet of our work in lieu of our round robin discussions. However, I don’t have anything seasonally appropriate just yet. Instead, I am going to be brazen and shove a rough draft up here.

    This is from my current work in progress, which is tentatively titled Every Prayer But One.

    I hope everyone has been enjoying the holidays!

    It was a noisome building, filled with the insistent barking of animals in their pens and the occasional meow from those more personable cats in residence. The sign over the door read Almost Home Animal Shelter and as Michael stepped over the threshold, he was accosted by the smells so many animals could produce. He rubbed his nose.

    One long counter ran the length of the wall to his left and he was reminded at once of a pub; all nicked wood and history, with a small space open so that the attendant could stand behind it. Except that there were large windows here, both open to fight against the lingering smell, and the room was brightly lit.

    And there was no bartender.

    The wall behind the counter housed another window, this one looking into the room beyond where a tall figure in overalls and rainboots was scrubbing one of the kennels with a long, yellow-bristled brush. Her dark hair was doing its best to escape the bun at the base of her neck, and she glowed from exertion. Canine faces peered out of their gates, all turned to watch the woman’s progress, and he was able to pinpoint the more vocal creatures now, one in particular with a cone wrapped around his neck.

    There were no chain-link fences like he’d been expecting, and he loosened the grip on his keys. Each animal was separated by wooden partitions, allowing some privacy and giving the appearance of a small room rather than a kennel, save for the gated doors that allowed access from in the bay and outside. It was not at all like the dreary, sad place he’d seen featured in cartoons as a child and his estimation of the owner rose exponentially.  

    “Can I help you?”

    He turned. There were three other doors in the building, each leading to kennel bays with paned windows for easy viewing from the front foyer. The freckled blonde standing in the door labeled “Cats” was watching him with a mix of annoyance and curiosity, her eyebrow hiked up as he took his time responding.

    They were busy. He should come back another time.

    But outside in the parking lot was his dreadfully silent truck and he steeled himself. “My name is Michael York. I called yesterday and was told to stop by…”

    The girl’s face underwent a dramatic transformation; one moment annoyed and the next lit with understanding and pity. Michael cleared his throat and glanced away. Eighteen months later and he still wasn’t used to that look; the one that said without speaking that he was a widower, that he was due all consideration and space that polite society had to give.

    While he couldn’t say precisely what he would prefer – his wife back from the dead and the last three years erased, possibly – he knew for a fact that he didn’t want either consideration or space.

    “The border collie?” the girl asked.

    He nodded.

    “I’ll go get Sarah.”

    Giving a brief thanks, he glanced over his shoulder at the open door to the parking lot. His green truck sat prominent in the nearest space with its windows open to the October air. The border collie in question couldn’t be seen through the windshield, but he knew she was sprawled in the seat, head on her front paws, disinterested in all things.

    Fresh grief washed through him and for a heartbeat he struggled to breathe. So many things had changed after Laura died that he hadn’t noticed the pup was in distress. There’d been whining, of course. Days and days of whining and pacing where Delta hunted the house, waiting for Laura to come home.

    Heartbreaking, to be sure, and if he was honest with himself there’d been days he almost asked Laura a question, expecting her to be in the next room or something. Her shadow was everywhere in the house, lingering but still somehow gone.

    “Mr. York?”

    Sarah turned out to be none other than the overall-wearing, brush-wielding woman he’d spied earlier. Her rainboots glistened with soapy water, and she left footprints on the tile as she strode forward, hand outstretched. He took the hand by instinct and shook it, not at all surprised to find her grip firm as she introduced herself.

    “I’m Sarah Riley, we spoke on the phone yesterday.”

    She had a pleasant face, perhaps too round to be called pretty these days, but her expression was more of concern than pity and Michael felt another knot loosen in his back. At least he would not have to endure condolences from another stranger, no matter how well-meaning.

    “Thanks for seeing me on such short notice,” he said as they turned for the door.

    “It’s not a problem,” Sarah said. “When was the last time Delta ate?”

    He exhaled, pleased to be getting to the heart of his problem so soon. “I got her to take some roast beef by hand last night, but it wasn’t much. I know table scraps aren’t healthy…”

    “At least it was something.”

    Michael wasn’t certain if he heard censure in her voice or not, and truly he didn’t care. He was at his wits end and had to do something. Laura had rescued the dog at four months old, thinking their active lifestyle was a perfect match for Delta’s high energy. And even after the diagnosis, back when they’d thought Laura could fight her way through the cancer, the dog had been a constant motivator that took them outdoors.

    This was her dog; he couldn’t let the creature die.

    They stopped at the passenger’s side of his truck and Sarah peered inside. Delta lay just as he’d left her, one blue eye and one brown eye watching the window but otherwise unmoving. She was merle patterned, sable spots peppering white fur, mixing in places to make grey freckles across her muzzle and back. He had an image of her the day Laura brought her home; still young enough that her white legs looked lanky paired with a slender body, and a muzzle shorter than it was now by a good inch, everything in her face clinging to puppy phase. But what caught him then, as it did now, was the way her ears stood only half upright, folding down at the tips so that they danced whenever she walked.

    “Well, hello beautiful,” Sarah said, leaning against the door so she could cross her arms on the window frame.

    Delta did not seem impressed.

    Nonplussed, Sarah continued; “Want to go for a little walk with me?”

    Taking that as his cue, Michael opened the door and took Delta’s leash. The dog obliged, albeit slowly, and jumped from the seat. Sarah was already reaching for the leash, cooing at his dog in real admiration, and Michael found himself handing control over to this stranger with a mix of pride and uncertainty. He wanted Delta to get better, but an accusing voice in the back of his head insisted that he should be the one to fix his dog.

    Didn’t it say something about his state of mind that he wasn’t capable of working this out on his own?

    Still, he watched Sarah take the leash and turn Delta toward the woods. His dog walked sedately next to her, tail drooping in a further display of distress, and he had a pang in his chest at the sight. He couldn’t remember the last time her tail was up, its white tip wagging like a flag as she chased a ball or a frisbee.

    “She’ll be all right,” said the freckled woman from before.

    She’d managed to walk up while he was distracted, and it was only when she propped a hand on her hip that he noticed the swell of pregnancy under her shirt. Her smile was full of compassion and curiosity, and she nodded out at where Sarah neared the tree line on the other side of the parking lot.

    “Sarah’s a bit of an animal whisperer. She’ll find a way to help.”

    Michael found some comfort in the girl’s words, even if he didn’t subscribe to the idea of animal whisperer’s in general. Then again, he didn’t have faith in much these days.

    He crammed his hands into his pockets and watched as Sarah and Delta disappeared into the autumnal forest. Most of the greenery had bled into burnished shades of orange and red, but here and there was a splash of bright yellow from sugar maples, and there was the occasional pine tree standing defiant against the weather change. Laura would have photographed it.

    The thought knifed across his heart and he turned to shut the truck door, perhaps more forcefully than he’d intended. Thankfully, the girl didn’t flinch. Instead, she looked back to the shelter and heaved a sigh. The barking hadn’t ceased, and he could see a few other shapes through the windows, probably more people caring for the animals.

    Tall white fences stretched to either side of the building and he realized with a start that there were people out playing fetch with various dogs. None of them were paying him any mind, but he felt somehow exposed, as though everyone were aware of his circumstances and his poor, ailing Delta.

    It was ridiculous, of course. These people didn’t know him. They certainly didn’t know Delta, so he put the whole feeling down as a residual effect of the funeral. Too many eyes had followed his every move those first weeks, it was no wonder he was paranoid now.

    “Well, those litter pans aren’t going to scoop themselves. I should get back in,” the girl said and took a step to leave. But she paused and gave him another smile. “I’m Lisette, by the way.”

    He gave his name again, awkwardly realizing she already knew it from before, and kicked himself. His wits weren’t exactly up to par.

    Lisette grinned but thankfully didn’t tease him. Instead, she asked; “When Sarah gets back, could you tell her that the volunteers who were going to fix the food shed cancelled?”

    “Food shed?” he asked.

    She nodded over at a sad little structure set off to the side of the shelter. Blue tarp was lashed across its roof and he could see one side sagging. That wasn’t going to hold up through winter, make no mistake.

    “We’re going to end up fixing it ourselves at this rate,” Lisette said.

    “What happened to it?”

    Lisette shrugged. “A thunderstorm took down a tree branch, which crashed its way through the roof.”

    The last big thunderstorm had been several weeks ago, he knew. Delta hated storms and he’d been forced to wrap her in a special blanket for the night.

    He frowned. “How much food did you lose?”

    “At least half,” Lisette said, becoming more animated, “But Pastor Annie put the call out that following Sunday and we got a ton of donations. Sarah says we have more now than we did before the shed broke, so that’s good. We put what we could in the attic and the rest is under the tarp.”

    “Well, you’re not going to want that tarp through the winter.”

    “No kidding.”

    They lapsed into a brief silence before Lisette, remembering she had work to do, flashed a smile and hurried back inside. Michael leaned against his truck and watched the rotation of dogs through the yard. Most of the handlers were proficient, giving each animal time to stretch their legs, do their business, and zoom for a ball. There were a few unpracticed hands that interrupted the rhythm, but no one could say the animals here weren’t loved and cared for.

    Not that they should stay, of course. For better or worse, this was a kennel and each pet inside deserved a home of their own, but it seemed that Sarah Riley was doing her utmost to keep them happy while they were here.

    Maybe his brother hadn’t been off his rocker to send him here after all.

    It was some time before Sarah emerged from the woods again, Delta in tow. Michael squinted at them as they approached, trying to see if there was any improvement in his dog’s demeanor, but her tail was still down.

    That was to be expected, he coached himself. It had taken a year and a half to get to this point, one meeting with a stranger wasn’t going to miraculously cure the creature. Still, he held his breath and waited for Sarah’s assessment as she delivered Delta to him.

    “Well, Mr. York, she’s grieving,” Sarah said and reached down to smooth back Delta’s ears.

    Michael ground his teeth. “Tell me something I don’t know.”

    She gave him a sharp look, hazel eyes alight with challenge, but seemed to master herself in the next instant. “You said you already took her to the vet and nothing physical was wrong with her?”

    “Yes,” he said, wrestling for patience.

    They’d been over this on the phone.

    She hummed and continued to stroke Delta’s head, who sat quietly beside her. “Did you know, Mr. York, that there are some breeds of dog who love their masters so much that when the two are parted, the dog simply shuts down? They don’t eat, they don’t drink, they just wait to die.”

    He looked down at Delta. Her mismatched eyes stared unblinking at the truck door, still disinterested, still lost, and Michael felt his gut clench. “Is that what she’s doing? Waiting to die?”

    “If we let her.”

    The words were quiet and heavy, delivered with a matter-of-fact tone that held no malice. Michael was grateful for that much. He knew it was his fault that Delta had fallen so far into her depression, he’d practically watched it happen over the course of several months, but Sarah had the grace not to point this out.

    Another consideration, he supposed.

    He was a widower, who could truly blame him?

    Heaven help him, he hated that word; widower.

    Clearing his throat, he met Sarah’s patient gaze. “What can we do?”

    If she noticed how hoarse he sounded, she didn’t mention it. Her attention switched to Delta and she heaved a little sigh. “I’m sure I don’t need to explain grief to you, Mr. York. It’s not something we can fix, and it’s not going away. But there are some things we can do.”

    “Such as?”

    “Remind her that she’s not alone.” Sarah rubbed the back of her neck and looked suddenly uncomfortable. “Look, I know this is going to sound weird, but my dog is particularly good at helping others. She seems to sense anxiety and has a way of putting other animals at ease. If you’re willing, I’d like the two dogs to meet.”

    “You’re right, that does sound weird.”

    They both chuckled and Sarah shrugged, leaving the decision to him.

    “Beyond that,” she said, crouching down to give Delta more attention, “you can try canned cat food. It has a stronger smell and might get her to eat a little more. It’s not recommended for the long run, but some food is better than no food.”

    Michael regarded his dog, watching the way she endured Sarah’s affections. It wasn’t clear whether Delta appreciated the attention or not, but neither was she snarling for Sarah to stop. She simply did not care, and that, above anything else, made his decision his decision for him.

    “When would you like the dogs to meet?”

    Take a look at some other snippets from my fellow authors! They are all wonderful human beings and I count myself lucky to be able to participate in this Round Robin every month.

    Skye Taylor http://www.skye-writer.com/blogging_by_the_sea
    Victoria Chatham http://www.victoriachatham.com
    Marci Baun http://www.marcibaun.com/blog/
    Dr. Bob Rich https://wp.me/p3Xihq-1Ng
    Anne Stenhouse http://annestenhousenovelist.wordpress.com
    A.J. Maguire https://ajmaguire.wordpress.com/
    Fiona McGier http://www.fionamcgier.com/
    Beverley Bateman http://beverleybateman.blogspot.ca/
    Diane Bator http://dbator.blogspot.ca/
    Rhobin L Courtright http://www.rhobincourtright.com

    Connie Vines http://mizging.blogspot.com/

  • Verisimilitude – June Round Robin

    To be honest, I use the events of every day happenings in my novels all the time. I thrust unfortunate events like locking one’s keys in the ignition or stabbing one’s hand onto my characters because I find it endlessly entertaining and because it helps unite the reader to my character.

    Maybe you’ve never stabbed your hand, but I bet you’ve lost your keys once or twice. Things like this help make the story real. And since I write a lot of science fiction/fantasy, the more I can make people feel like it could be real, the better.

    Bigger life events I shy away from. Instead, I allow these life events to help inform my fiction instead of framing it. My mother is still, thankfully, alive, and I hope she remains so for many years to come. But I have a novel where the main character’s mother recently died.

    There is the age-old adage to only write what you know, but I find this mostly an excuse not to sit back and unpack the issue with any real depth.

    No, I have not lost my mother.

    But I know grief. I’ve lived through losses. And while it is not exactly the same, there is a vein of similarity that can be used in my fiction.

    Perhaps I will write a novel full of self-reference one day, but I’ll be honest and assure you that I will never admit it.

    See what my fellow authors have to say about life events mirrored in their fiction in this month’s round robin conversation.

    Victoria Chatham http://www.victoriachatham.com
    Skye Taylor http://www.skye-writer.com/blogging_by_the_sea
    Judith Copek http://lynx-sis.blogspot.com/
    Dr. Bob Rich https://wp.me/p3Xihq-1Dm
    Beverley Bateman http://beverleybateman.blogspot.ca/
    Margaret Fieland http://margaretfieland.wordpress.com
    Anne Stenhouse  http://annestenhousenovelist.wordpress.com/
    A.J. Maguire  https://ajmaguire.wordpress.com/ (YOU ARE HERE)
    Diane Bator http://dbator.blogspot.ca/
    Fiona McGier http://www.fionamcgier.com/
    Connie Vines http://mizging.blogspot.com/

    Rhobin L Courtright http://www.rhobincourtright.com

  • Dear Reader… (May 2019 Round Robin)

    Dear Reader,

    If you’ve picked up one my novels I hope you are either enjoying it, or loved it so much you have long since finished reading. I understand not every novel is going to be loved by the people who pick it up, but I hope that somewhere in the journey I touched on something familiar.

    If you’ve read any of my works, then from my marrow of my bones I hope you walked away with a few things. I hope Trenna’s struggle to balance being a warrior, a wife, and a mother left you feeling capable of doing the same. Just as I hope the love Nelek has for Trenna reminds you that you don’t have to compromise who you are to be loved fully.

    If you haven’t read Trenna and Nelek’s journey, they star in the Sedition series put out by Wings ePress.

    Jorry and Seach in the Tapped series echo this sort of relationship, where both are soldiers and neither must cow to the other in order to be valued. There’s more to come in that series, but I hope beyond all measure that this story opens a conversation about faith for you. There is a difference between religion and faith, one I have not fully answered for myself yet, but perhaps we can discover it together.

    Deviation was a difficult book for me on many levels. It is my hope that if you read it, you walk away with a belief in redemption. Reesa Zimmerman’s struggle to forgive herself touched me in a way I can’t fully articulate, and while there are no further novels planned for her, in my mind I have great hopes for her “happily-ever-after.”

    No other character has stuck with me as long as Persona’s Megan Shepherd. I started her story when I was barely twenty and it took a decade before I could complete it. If I could tell you one thing about that novel that always inspires me, it’s how gentle and strong Megan is. Gentleness is the ultimate sign of strength.

    The Haunting of Tessa Pines is a love story and a mental health story all in one. It isn’t scheduled for release yet, but when it comes time I will certainly let you know. Without giving any spoilers, I hope readers walk away from this one understanding that asking for help is not a sign of weakness.

    And finally, The Melody of Bones, which is in its final stages of the drafting process… When you guys finally get a peek at this one, I hope anyone who has ever been broken by a relationship walks away from this book with the realization that they are dragons in human skin, far stronger than even they can fathom.

    Thank you, dear Reader, for sharing these worlds with me. You are precious beyond measure to this Writer.

    Yours Sincerely,

    Aimee

    P.S. Check out what my fellow authors want you to know about their works…

    Diane Bator http://dbator.blogspot.ca/
    Skye Taylor http://www.skye-writer.com/blogging_by_the_sea
    Victoria Chatham http://www.victoriachatham.com
    Beverley Bateman http://beverleybateman.blogspot.ca/
    A.J. Maguire  https://ajmaguire.wordpress.com/ (YOU ARE HERE)
    Fiona McGier http://www.fionamcgier.com/
    Dr. Bob Rich https://wp.me/p3Xihq-1BC
    Connie Vines http://mizging.blogspot.com/
    Rhobin Courtright http://www.rhobincourtright.com

  • Prepping for Submission – March Round Robin 2019

    I know this goes against the age-old adage not to edit your book as you write, but to keep going until you’re finished and THEN edit but… I totally don’t do that.

    Normally, I write the first 3/4 of the book and then go back, edit and take notes on what I’ve got so that I can see what subplots need tied up and what characters I lost in the narrative. Once I reach my stopping point, I have a clear view of what the ending needs to be and move on from there.

    Then I have a third draft, which gives me the word count and helps me write the synopsis alongside it.

    But I broke my own rules with The Melody of Bones and this newest approach seems to work even better. Before I explain, I should leave a disclaimer that I have a wonderful husband who works and allows me a great deal more time to write than some, so this might not work for you if you can’t block out large periods of time for writing.

    He also spoiled me with a super-awesome laptop that has a pen-function so I can take notes directly on the screen instead of constantly printing things out. So keep that in mind too.

    Currently I have 3 drafts going on the same novel, all at once.

    I got to the 3/4 mark and started my major revision, using the ‘track changes’ portion of my word program so I could go through and review what was going on. At the beginning of my writing time, I track those changes, accepting them and permanently inserting it into the novel, for about three chapters.

    This reminds me of what I’ve changed.

    After I’ve done at least three chapters – sometimes more, depending on what other work needs doing that day – I start writing the new stuff. I aim for 1500 new words a day, inching my way through that last quarter of the novel.

    This is normally where all the BIG action is, and it always takes me a long time to write, which tends to be depressing for a writer. We don’t like it when we feel like we’re slogging through the swamp of sadness.

    Which is why, at the end of the day, I take that neat pen/tablet mode and start from the beginning of the novel, highlighting typos and sentences that feel off. These bits will be fixed when I do my 4th draft.

    Another recent change I’ve made is that I am writing the synopsis at the same time as the novel. I work on it once a week (on Tuesdays) so that by the time the 4th draft is completed, I should have something palatable for agents/editors.

    Maybe.

    The synopsis is the great nemesis of the novelist, after all. I’m never quite sure if I’ve nailed it.

    See what my fellow authors do to polish their work…

    Skye Taylor http://www.skye-writer.com/blogging_by_the_sea
    Diane Bator http://dbator.blogspot.ca/
    Beverley Bateman http://beverleybateman.blogspot.ca/
    Connie Vines http://mizging.blogspot.com/
    Anne Stenhouse  http://annestenhousenovelist.wordpress.com/
    A.J. Maguire  https://ajmaguire.wordpress.com/ (YOU ARE HERE)
    Dr. Bob Rich https://wp.me/p3Xihq-1dm
    Victoria Chatham http://www.victoriachatham.com
    Helena Fairfax http://www.helenafairfax.com/blog
    Judith Copek http://lynx-sis.blogspot.com/
    Rhobin L Courtright http://www.rhobincourtright.com